Svendborg Theatre of Ballet will annually produce professional ballet performances, which will premiere in Svendborg and subsequently go on tour.
We aim to produce professional ballet performances of a high international standard, specifically designed for smaller and more unconventional venues that would otherwise never host professional classical ballet performances – something no other Nordic ballet company has done before.
A ballet evening in two acts, with the first act comprising a new ballet by the award-winning choreographer Robert Thomsen. The ballet is called Speak-easy and follows four couples out one evening in an underground nightclub in the middle of the 1920s Prohibition era in USA.
We encounter love, friendship, jealousy, and desire as the eight dancers throw themselves into wild choreography that will blend classical ballet with jazz and show dance – a celebration that will spark!
The second part opens in a pure classical style with a small pas de trois for three girls in Bournonville's famous steps, staged by the world-renowned Bournonville expert Dinna Bjørn. It is pure dance joy and beautiful aesthetics – in short, pure pleasure to behold.
The evening concludes with the renowned Czech choreographer Petr Zuska's wonderfully funny Maria’s Dream, which is about one of the world's first ballet stars, Maria Taglioni (1804–1884), a paragon of romantic ballet and the first ballerina to dance on pointe. She is best known for being the first ballerina to dance the lead in La Sylphide at the Paris Opera in 1832. This ballet focuses on Maria's more fragile and artistic side, where she dreams herself into a park where four men are feeding swans, and where she suddenly joins them.
The ballet is full of crazy humour, when the four men suddenly find themselves in the middle of a classical ballet wearing tutus!
The ballet from 2001 has been a great success worldwide – and Petr Zuska has looked at it with entirely new eyes, making it appear fresh and specially made for our dancers.
A ballet evening that shows classical ballet can be not only graceful – but also enriched with plenty of humour.
The first act is a tribute to love. Both the love between people and the love of dance. August Bournonville is the father of the entire Danish ballet tradition, and his effervescent and playful choreography, which looks so light but is devilishly difficult, has delighted audiences and dancers all over the world.
Choreographer and Bournonville expert Dinna Bjørn has put together a brand-new programme for Svendborg BalletTeater, featuring choreography from well-known Bournonville ballets as well as steps that haven't been performed in Denmark for many years. A tribute to dance and the joy of life, and a unique opportunity to experience Bournonville's choreography up close.
The second act is the ballet War Letters, originally created by the young British choreographer Christopher Marney for the renowned British company Ballet Black in 2013, but here re-imagined for the dancers at Svendborg BalletTeater. The ballet, comprised of five movements, deals with the premises of love during World War II, based on the letters sent back and forth between those at war and those at home. A story that is highly relevant in many ways, and sends heart-wrenching references to our world right now.
The show is ready for a tour
”The seeds for a successful and exciting ballet company have been thoroughly sown with this new professional ensemble and this evening's performance. One can absolutely only hope that the audience will get behind it.”
”Rarely have we seen a more homogeneous and colourful group of dancers, with such widely varied backgrounds, dancing in a common spirit and at such a high level”
”The stage at Svendborg Teater isn't large, but the eight dancers manage to express themselves with both dancing joy and, for the men, beautifully stretched legs.”





